The moviestars recently celebrated their special day on social media, and Nigerians have been reacting.
According to Ibrahim, three years with his wife feels like three weeks and every time spent with her has been filled with God’s love, mercy, and abundant grace.
Suleiman added that he loves how intentional Linda is about choosing him everyday.
His words, ”Three Years.
Feels like three weeks, but then I look at Keon and realise that my arithmetic is off
Three years of God’s love, mercy, and abundant grace.”
“I love you, my friend.”
“I love how intentional you are about choosing me everyday.
I love how with us, even the most trying days can be funny.
I love how you let me take care of you, provide for you, support you. Because before I came along, you could do all of that for yourself.
I love how much family means to you.
I love how you try so hard to be better daily.
I love how you catch my eye from across a crowded room, and everyone else just disappears.”
“Thank you, for being my Partner, my Guy, my Lover, my Confidant, my Confessor, my Coach, my Queen, my sounding board.”
“Thank you for Keon.
Thank you, for You.
Happy Anniversary, Sunshine.
I’m the luckiest guy in the world because I get to love you.
I am truly grateful for you.”
WOW.
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries β each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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