A Woman Will Always Be At Fault For Any Paternity Fraud – Baba Tee

Nollywood actor, Baba Tee has come out to weigh in on the DNA test controversy rocking social media.

He recently had his say while speaking to the press, and fans have been reacting.

According to him, when it comes to paternity fraud, the woman is always at fault, and ladies cannot shift the blame to men since they cannot conceive.

Baba Tee added that personally, he can accept a child that is not his own as long as the woman is good to him.

His words, “Women can’t use domestic violence or infidelity on the part of their spouses as an excuse for paternity fraud. If a man is not treating you well, walk out of the marriage.

When it comes to paternity fraud, the woman is always at fault. You can’t shift the blame to the man because men don’t conceive. As a woman, if you know you can’t tolerate your husband’s maltreatment or infidelity, leave the marriage.

Personally, there is nothing I can’t keep for a woman who is good to me. If a woman cheats on me and a child comes out of it and I find out, I will forgive her if she is remorseful. I will take the child as my own.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.