I Won’t Let Fame Get To My Head – Bimbo Ademoye

Nollywood actress, Bimbo Ademoye has come out to say that fame has been both a blessing and a challenge.

She recently had her say during an interview with Saturday Beats, and fans have been reacting.

According to her, fame has really blessed her if she is being honest, but she will always try to say grounded so the popularity does not get to her head.

Bimbo added that she is very pleased with the positive changes she is seeing in Nollywood now as filmmakers ae beginning to shoot better-quality content.

Her words, “Fame has blessed me, to be honest. I have been able to receive favours from people. Yet, I have managed to stay grounded and not let the fame get into my head. I don’t see myself as a famous person. I don’t even like the word ‘celebrity.’ I prefer being referred to as a public figure.

I am very happy with the changes I’m seeing in Nollywood. People are now taking their time to shoot better-quality content. I’m really impressed with the improvement in Nollywood. I would love to see more. I pray we can have a Tyler Perry-style studio where we can walk in and shoot different projects.

I don’t see myself the way people see me. I feel like I’m just starting. There’s a lot I haven’t done. Not that I’m rushing, but I haven’t directed my film yet. I haven’t made my cinema debut.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.