He recently had his say during a recent sit-down with his woman on her YouTube page, and fans have been reacting.
According to him, it deeply affects him when people attack Toyosi online for simply being herself, and he always want the trolls to back off and allow his wife do her.
Daniel added that he sometimes worry if the criticism gets to his woman even when she says it doesn’t.
His words, “From the first day I met you, I’ve known you to be very bold and outspoken about your beliefs. If you love someone, the whole world has to know about it, but I’m very different. I’m not like that—I’m very reserved in my expression of things like that, but you are very out there with things that you love.
For that reason, when I see people come at you for just being you, it hurts me. I’m like, ‘you guys are just throwing stones at someone who just wants to be, who is just expressing herself, she’s just being herself because of who she is. She’s just being herself’ so it hurts me.
A huge part of social media doesn’t see that about you, how beautiful that is—and it took time for me to understand that about you. In the beginning, it used to irk me but I’ve come to understand that is just who you are and I love that about you. Even I am constantly adjusting myself. I also get very bothered about how you’re faring, even though you shrug it off.
I understand that what people see is just the tip of the iceberg. Sometimes I worry if it gets to you even though you say it doesn’t, and I want them to back off and let you be yourself.”
WOW.
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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