Daniel Etim-Effiong And I Are Eternally Grateful To God For Our 2nd Child – Wife

Nollywood actor, Daniel Etim-Effiong and his wife, media personality, Toyosi just welcomed their 2nd child in Canada.

The happy mother recently jumped on Instagram to share the good news, and Nigerians have been reacting.

According to her, she is eternally grateful to God for starting the process and finishing it beautifully, and she promises to never take His grace for granted.

Toyosi added that she couldn’t have had a better partner to procreate with and she’ll keep loving her family forever.

Her words, “He’s here. Our son.”

“I’ve tried to take pretty pictures after this… I imagined I’d have my edges laid, brows brow-y, eyes lined, lashes lashed but my attempt at pretty paled in comparison to this unfiltered moment and it’s this moment for me… 40 weeks later, welcoming this loaded king and priest to the world with sounds of “There is a Place” on replay in the background…”

“GOD is faithful. HE started the process and finished it beautifully. I’ll never take it for granted and I couldn’t have had a better partner to procreate with. I love you even more @etimeffiong. You’re very okay, promise.”

“Thank You Lord  All the glory belongs to You!!”

2 down, X to go @etimeffiong.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.