Recall that the moviestar first married actress Anne Njemanze in 1996, but their union ended in 1997.
Speaking recently on why he waited for a long time before remarrying, he revealed that he was confused about getting the right person after his unexpected divorce.
Arinze added that he was involved in many relationships until he cried to God in 2007 to give him a wife.
His words, “I stayed out of marriage after the first one crashed. I stayed out of marriage for like 12 years before I remarried. I remarried in 2008. Not that I gave up on marriage, I was just really confused about getting the right person,” he said.
I got into so many crazy relationships. Both the ones were good, crazy, and bad I have seen all. That year, 2007. I cried to God and said ‘Father Lord I have had enough can you just give me a wife’. I said just find me a wife. I remember I cried.
And then I went to a wedding and I saw this beautiful woman. I asked my PA to get her number but he came back because he was scared. Julius Agwu and I were the MCs at the event. It was Don Chi’s wedding. And Julius Agwu said ‘My brother dey look for wife o’. When I sat I went to meet her, collected her contact and then invited her to a dinner. That is how it started. The rest is history.
We are sixteen years in marriage now with three lovely kids. She is a lawyer. She is also my legal adviser.”
WOW.
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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