Home » Celebrity News » I Decided To Be Kazim Adeoti’s 2nd Wife Because Of Nollywood – Mercy Aigbe

I Decided To Be Kazim Adeoti’s 2nd Wife Because Of Nollywood – Mercy Aigbe

Mercy Aigbe and Kazim Adeoti

Mercy Aigbe and Kazim Adeoti

Nollywood actress, Mercy Aigbe-Adeoti has come out to open up about why she decided to marry Kazim Adeoti as his second wife.

She recently had her say during her appearance on Nollywood on Radio, and fans have been reacting.

According to her, her husband’s experience and dedication to Nollywood played a significant role in her choice to marry him, and their union is more than just personal connection, it is also about mutual professional ambitions.

Mercy added that they are building an empire together right now, and it is a good thing that he has always been in the industry.

Her words, “That’s one of the reasons why I married him actually.

Together we’re building an empire; we’re building a production empire and I felt like I needed someone like that. It’s a good thing that he’s in the industry so with his strength and my strength combined, the future of the empire is looking good already.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.



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