She recently had her say via her social media page, and Nigerians have been reacting.
According to her, she actually sees her man as her mini god and she doesn’t even feel some type of way for being older than him.
Uche added that she loves him the way he is and for being a loving and caring partner.
Her words, “It doesn’t make me feel anyhow that people call him my younger lover. I’m obviously older than my man, with a couple of years but I don’t see him as my younger lover. I see him as my partner, my man, the love of my life.”
“I see him as a man who loves me and cares for me. I see him as my mini God. Do I wish he is older? No! Never. I love him the way he is. He is cute, very good-looking, very young, very energetic. He’s perfect just the way he is.”
WOW.
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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