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I Fully Believe In Spending On Myself And Not Depending On Anyone Else – Nancy Isime

Nancy Isime

Nancy Isime

Nollywood actress, Nancy Isime has come out to share her perspective on marriage.

She recently had her say while speaking during a recent interview on the Creativitea Live with Lynda podcast, and fans have been reacting.

According to her, unlike many young girls who dream about their weddings, she has always been focused on building her career and achieving financial independence.

Nancy added that she is such a big believer in spending on herself and not depending on anyone else.

Her words, “I’ve always seen myself working. I say this to a few people but when young girls sit down and daydream about getting married, I never did.

I used to daydream about working and making my own money and being independent. I fear that I might not even have my dream wedding because what is a dream wedding? Even if I get married, it will just be a wedding that we both agree at the same time is how we feel and where we are at. If it’s a big wedding, fine, if it’s a small wedding, whatever we feel.

I’ve always been that child that always saw myself having my own money. Maybe because I came from a humble background where asking for anything was almost taboo. You’re supposed to know that there is no money, so don’t ask but if we give you, take. I used to be like, ‘I can’t wait to have my own money and do my own thing.

That’s why I’m such a believer in spending on myself; I spend on myself so much that nobody can take the position of ‘if not me, you won’t have this life.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.



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