I Wasn’t Ready For Baba Suwe’s Death – Yomi Fabiyi

Nollywood actor, Yomi Fabiyi has come out to blast those who used public service power to inflict pain and torture on late Baba Suwe.

He recently had his say via his social media page, and Nigerians have been reacting.

According to him, he really didn’t wish for a moment when Baba Suwe would be buried but God knows best and he is aware that he did all he could to voice out for the actor.

Yomi added that the fellow citizens who inflicted and supported the pains, torture done on Baba Suwe because they have the tools of public service power are cursed and will never know peace.

His words, “FUNERAL RITES for LATE BABA SUWE.”

“……….really don’t wish for this moment but God understands. I cried out, spoke out but they tried to silence and hurt me for speaking up. They envy everything including voices that fights against injustice. They use social media to kill voice of reasoning.”

“Those fellow citizens who inflicted and supported the pains, torture done on you Baba Suwe because they have the tools of public service power are cursed and will never know peace. Their generation shall not be free from such wickedness and injustice even if justice is sold for free in the land.”

“Using TORTURE or unlawful EXCESSIVE FORCE for investigation is the purest evil and wickedness to mankind. A gross human rights violations. How can you be suspecting, accussing someone and already punishing at Police Station level?”

“We must understand that only a forward thinking Nigerians can save this country. The idea of “This is Nigeria” is the reason why we have not move forward. They always rely on quack approaches and ideas that have sent many innocent people to gallows and avoidable deaths. Everyone is raised with brutality and violations, hence we can’t understand why we don’t place value for lives and right protection first.”

“Pains. Rest on Pressy.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.