I’ll Kill Beefers Like Eniola Badmus Will My Success – Laide Bakare

Nollywood actresses, Laide Bakare and Eniola Badmus are currently at loggerheads.

This is coming after Bakare shared photos of her new cars, and Nigerians have been reacting.

Laide had written, ”There comes a Time in every girl’s life, when she decided to pamper herself extravagantly to compensate for years of hard work and Labor, Having saved for years to Aquire more luxurious houses and vehicles, It is save for me to say that persistence is the basic key to glorious Success. Little by little then here I’m Today just Few weeks After my New House opening. I give you All the praise ya Allah NB: Pls Note, This is Not A show off, But to further encourage ladies out there that, its Achieveable, you can be successful on your own without depending on Anybody in life. Huge congratulations To Me Alh shakirat Olaide BAKARE. EVERYTHING NA DOUBLE DOUBLE , i deliberately choose these two colors, to Match my New House painting.”

Eniola responded, ”Pele ooo Iya LarinLordu.”

Reacting, Laide wrote, ”@eniola_badmus yes oooo Na me Be that O president Awon Beeffers. Na you speak their Mind. This is purely God’s Doing and iits the Beginning of unending Allah mercy On Me, shebi una dey Beeef ni? NA SUCCESS UPON SUCCESS BE UNA ANSWER. Me no get Time for Hatters Abeg.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.