She recently had her say via her social media page, and Nigerians have been reacting.
According to her, even if she didn’t beat her nanny, she got really angry seeing her giving him drugs without her permission raised her suspicion because her boy recently slept for days.
Wunmi added that she’ll be suing her nanny for damages despite her mother calling to beg for forgiveness.
Her words, “Apparently, she knew that there was a camera inside, so she would take the boy outside and beat him.”
“One week later, I discovered that my son who was active was just sleeping, so catching her on camera giving him drugs raised my suspicion. My son’s cough had gone like two weeks ago, so for her to still be giving him cough drugs without telling me that my son was running a temperature or coughing means she intentionally gave my son the drugs around 6pm so that he could sleep and she could press her phone.”
“When I got home, I asked what happened; I didn’t beat her because when I attempted to beat her, she dodged my hand. I called my husband, and he told me not to take any step till he got back. When he came, he called the police to pick her to go and write a statement. But I was the one begging on her behalf that they should not take her away because her people were also begging me.”
“I don’t want a case because her mother called me from Epe, begging me to let her go, which I did only for me to now get your message. Now, I’m going to open the case; I’m going to take the case to Panti (SCIID); I have all the evidence of what she did.”
What do you think?
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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