She recently had her say during an interview with 3PLE Nolly TV, and fans have been reacting.
According to her, she just prefers to keep her work life strictly professional, which is why dating her colleagues has never interested her, even though some actors have asked her out.
Bimbo added that she has never been attracted to a fellow actor because she sees them all as her brothers.
Her words, “No, I never dated any actor at any point in my career; I don’t like you people. I’ve never been attracted to an actor so to speak. All of you are my brothers, straight. It’s not about the kind of men I’m attached to; I just wasn’t attracted to people in the workplace.
My frame of mind when I come to work is the frame of work of an actor who wants to be professional, so I don’t see you as dateable people, all of you. I don’t see it. We have really handsome actors but I’ve never thought of dating any one of them…honestly. It doesn’t mean they didn’t toast me though.”
On staying away from controversies, “When I first started, there was a lot of controversy and all sorts of things written about me; horrible stuff. There was a part where people were saying I don’t wear underwear. I think what it is is that news like that flies and sells so you have more traction and more people on the blog and people buying the papers. People want to read about funny things like that, it’s even better now, back then they used to cook up stories, all sorts of stories.”
WOW.
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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