She recently had her say via her social media page, and Nigerians have been reacting.
According to her, she wants such messages to stay far away from her henceforth because she is a one man-one-woman kind of person.
Chiege added the married man asking her for such nonsense should give her the respect she deserves.
Her words, “Chiege’s World!!!
I don’t blame you! Because of the things you hear you believe everyone is same. Try get to know God one on one and be delivered, you and your so called wife you claimed that wants it and you, wanting to Please her my foot!! You claimed she likes me a lot and all she can think about watching me is 3some! REALLY?!!!
GIVE ME MY RESPECT, I DESERVE IT!.”
WOW.
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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