He recently had his say via a post shared on Instagram, and fans have been reacting.
According to him, no matter how Mercy Aigbe tries to hide his boy away from him, it will never change the fact that he is his father.
Lanre added that he’ll continue to cherish his son as he grows older and bigger on earth.
His words, “Happy birthday to my dear son Olajuwon Gentry, no matter how your mother try to take you away from me ,I still remain your father and am happy you are growing up to understand that I remain your father and to come back to me to ask for anything without your mother asking by herself. I cherish you, my son, a long life to you and me as your father.”
WOW.
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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