The Nollywood actress and her lawyer reportedly agreed to the request on the condition that the DNA fees and other bills be footed by Saheed.
Recall that she had this to say when she was accused of ruining her baby daddy financially, “While my silence will be taken for cowardice, I will be calm because the truth always reveals itself. I can defend myself but I won’t want my daughter to grow up reading such irritating and fact-less information. The court of social media has always been myopic and manipulative.”
“Remember you did not make me, you cannot break me. Bank statements can reveal who has been receiving money from who and for what. Investigate before publishing. For the platform used for peddling such absurdity, seeds sown will surely germinate.”
What do you think?
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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