She recently had her say via her social media page, and fans have been reacting.
According to her, she accepts that she has published falsehood and lies against the clergyman in the past, and she has realized the depth of the harm, pain and distress the lies she told caused to him, his church and his family.
Halima added that she absolutely regrets her actions, and her conscience has not been in accord with God ever since.
Her words, “I am writing to you today to acknowledge the falsehoods I made against you on social media and to offer my sincerest apologies. After deep reflections, and for my conscience to be in accord with God, I have realized the depth of the harm, pains and distress caused by my lies.
I admit that I made false allegations against you; and also regret my actions and the damage I caused to you, your wife, Dr. Mrs. Lizzy Suleman, your family, and the Leaders of the Omega Fire Ministry.
With this letter, I humbly ask for your forgiveness, recognizing that my apology cannot undo the harm, pains and distress I caused and I ask you find a place in your heart to forgive me as I was not thinking right then. Sir, you have done a lot for humanity, please, extend your hands of forgiveness toward me.
Once again, Sir, I am truly sorry for all the hurts and distress I caused you, your family, and your ministry.
Thank you very much and may the Heavens calm your heart. God bless you, Sir.”
WOW.
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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