She recently had her say while speaking to the press, and fans have been reacting.
According to her, married women should never think about sending their husband away or packing out of their matrimonial home because it will always lead to them begging about when their kids want to do something important in future.
Toyin added that a friend of hers goes as far as giving her husband a pack of condoms whenever he has to travel away from his family.
Her words, “I have always told women that no matter how ‘m@d’ your husband is, never think of sending him out nor you packing out of your matrimonial home because it will end in a begging spree when your kids want to do something important in future. That is when he will start saying ‘My wife must be there, my wife must be there’ and then you will also not see a single man that will want you. Wherever you are thinking of going, you are also going there to go and cheat on somebody else too.
Sit in your marital home and be begging him. Be protecting yourself too. I have a friend who whenever her husband is coming into Nigeria, she will hand him a pack of condoms. The man will now call me and be like ‘’Yeye, see what your friend gave to me ooo! Me I will not use it oo! It is who she wants to put in trouble she is looking for. Love smart!
Men should see their wives as their firstborns as women have always seen husbands as their firstborns. No matter how a man thinks he is smart, he will still be foolish with women. It is what we want you to see that you will see. Between us and our children, it is what we want you to know that you will know.”
WOW.
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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