My Wife Is A Rare Human Being – Francis Duru

Nollywood actor, Francis Duru has come out to celebrate his 20th wedding anniversary with his wife.

He recently had his say via his social media page, and fans have been reacting.

According to him, they’ve cried and laughed together during years of marriage, and he can only describe her as a rare human.

Francis added that he is a very blessed man to find a women who considers him her friend and lover.

His words, “How else do I say I have been a blessed man.
Like a joke we have been stuck together for two decades…..in freindship and love …we have cried together,wiped each other’s tears..laughed together ..counselled each other…what a rare human you have been…at peace always..mother of our three bundles of joy..my friend..sister,confidant..succor source..how you make marriage so easy..20 years together Dox thank you my dear wife..it can only be God and we give Him thanks..thank you for all you do..for your sacrifices to make sure we are fine…tnx for your unending love…it will always be you my love…as we celebrate 20 years of marital bliss..we pray the lord open up more decades of bliss to us..tnx Dox thanks to the wonderful kids you have given me …for the warmth they exude.Adokiye God bless the day I found you.Happy 20th anniversary my love.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.