She recently had her say via her social media page, and fans have been reacting.
According to her, she does not understand people saying she only blasted the violent protests because she is privileged, because that reality does not stop her from knowing her nanny needs to be paid extra and her gateman has to be catered for amid the economic insecurity.
Regina added that the point remains that Nigeria cannot be changed in a day and not by one man.
Her words, “Hoisting the Russian flag! Is that what we want? Mind you, whatever happens in the North can get to you. I preached against violence and ignorant Nigerians said it’s because I am privileged and opportune. Yes the fact remains that I am privileged and opportuned but that doesn’t stop me from understanding that my nanny needs to be paid extra or that my gateman or my cooks need to be catered for because of insecurity and extra bills to be paid in Nigeria.
The point remains that Nigeria cannot be changed in a day and not by one man. I am not speaking for the government, neither am I speaking for you people to love me because I don’t need it. I am just stating the obvious fact and that is the truth.
The earlier we all realize that this protest is turning into something else, the better for us all.”
WOW.
Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.
The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.
Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.
Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.
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