Rumors Claiming My Husband Is My Pet Are Just Noise – Mercy Aigbe

Nollywood actress, Mercy Aigbe Adeoti has come out to open up on the reaction she received from some family members when she decided to remarry.

She recently had her say via her social media page, and fans have been reacting.

According to her, she is the kind of person who loves to have a man to call her husband because she absolutely loves to be married, so everybody should just know what they want and go for it.

Mercy added that those claiming her husband is her toy are just making unnecessary noise.

Her words, “I love love, actually.

What you said now, a lot of people do ask me, even some family members. They would be like, I’m close to 50 years old; what am I looking for? But I believe everybody knows what they want. What you want might be different from mine. I know what I saw, and I know what I wanted.

I am the kind of person who loves to have a crown (husband) on my head and loves to be married. Maybe, if I’m still in my baby daddy’s house, I wouldn’t be known as Mercy Aigbe.”

On reports that her husband is her pet, “That’s just noise. Look close at those talking. How is their life? Definitely, people talk, and it’s when people do something good that they talk. If you’re not known, you can’t be their topic. You have to be at the top to be a topic. When I was young, I never thought my life would turn out this way.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.