Women Must Stop Asking Men For iPhone 15 When They Can’t Afford iPhone 10 – Williams Uchemba

Nollywood actor, Williams Uchemba has come out to reveal the reason why some women have remained single.

He recently had his say via his social media page, and fans have been reacting.

According to him, most women are still single because they keep demanding that men get them things they can’t afford themselves, and the earlier they abolish that crippling mentality, the better for them.

Uchemba added that the shameless habit has become a pandemic in Nigeria, and it needs to stop.

His words, “There is a mentality that is crippling most women in this generation. When you say there is no husband, this is the reason why. I don’t know why you think you have any business requesting for things from a man that you can never get to afford in your wildest dream even if you work for ten years. It is a spirit and until you deal with it, there are some of you that will end up not getting married because no man will want to put you in their house.

It has become like a pandemic now where most women now think that it is okay to make very crazy requests.

Why are you asking for a GWagon or iPhone 15 when you know that you cannot even afford iPhone 10 with how much you have in your account, It is a spirit of greed. It has so many things to do with some element of ‘Jezebelian spirit’ and until you deal with it, no man will put you in his house.”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.