Wunmi Has To Make The DNA Happen To Protect Mohbad’s Legacy – Sarah Martins

Nollywood actress, Sarah Martins has come out to blast the late Mohbad’s wife, Wunmi for her recent banter with her sister.

She recently had her say via her social media page, and fans have been reacting.

According to her, Wunmi is definitely doing too much at this point because she does not understand the constant back and forth when the widow can just do the DNA to clear her name once and for all.

Sarah added that the DNA has to be done to also protect the legacy of Mohbad, so she should make it happen immedaitely.

Her words, “At this point, Wunmi is doing too much!

Kai! Some women no get sense true true…

Your kwashiorkor sister had the effrontery to boldly come online to accuse your so-called beloved late husband of giving you a series of infections when he was alive and you allowed it??? Why are u so scared to do DNA tho? If I were you, I would have done it long ago to clear my name and protect the legacy of my late husband!.

When did you move from mourning Mohbad to mocking Mohbad?????

I am so disappointed in you!

Kai!!!! Such a senseless widow!”

WOW.

Nollywood is a sobriquet that originally referred to the Nigerian film industry. The origin of the term dates back to the early 2000s, traced to an article in The New York Times. Due to the history of evolving meanings and contexts, there is no clear or agreed-upon definition for the term, which has made it a subject to several controversies.

The origin of the term “Nollywood” remains unclear; Jonathan Haynes traced the earliest usage of the word to a 2002 article by Matt Steinglass in the New York Times, where it was used to describe Nigerian cinema.

Charles Igwe noted that Norimitsu Onishi also used the name in a September 2002 article he wrote for the New York Times. The term continues to be used in the media to refer to the Nigerian film industry, with its definition later assumed to be a portmanteau of the words “Nigeria” and “Hollywood”, the American major film hub.

Film-making in Nigeria is divided largely along regional, and marginally ethnic and religious lines. Thus, there are distinct film industries – each seeking to portray the concern of the particular section and ethnicity it represents. However, there is the English-language film industry which is a melting pot for filmmaking and filmmakers from most of the regional industries.